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Baloch has a rich musical culture. Music has a significant role on all occasions except ceremonies of death. Most of the Balochi Music is based on Zaheerag which is a kind of melancholic music. The instruments used are mainly a flute, locally called Nal, Tamboora and Soroz.

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Thanksgiving dances are made of joy at the time of positive weather changes and harvests, which are collectively performed in groups. A special religious dance is carried out by a Baloch sect known as Chogaa. Another common Baloch folk dance is known as Dochaap. In this dance men gather and dance in groups, clapping hands with the movement of foot, neck and head with rhythmical music on drums. On various occasions, women also move in a circle clapping their hands. Other dances include the Lewa, which is thought to be of Arabic origin, along with Latti and Hambo said to be of ancient Balochi origin, are also very popular. Balochi Chap in Iran URL: http://www.youtube.com/watch?v=upoA-zrDGeY&p=7629C7EBEBBCBD81&playnext=1&index=14.

Balochi music achieved an extraordinary development which is due in great part to a type of artist and artisan cast whose members are called Osta (master) and whose origins are unknown. The Ostas appeared among the Baloch tribes (particularly the Rend), offering to put their music at the service of the tribes ancestral knowledge. Even if the Ostas occupy a modest position, they can at least boast of belonging to prestigious lineages of musicians. Ziarekan by Sabzal Samigi URL: In fact, there are reasons to think that they are the descendants of the Lulismentioned in the ancient chronicles.

In these chronicles, a fifth-century Persian king asked an Indian king to send him musicians so that his subjects could listen to music while drinking their wine. Ten thousand Lulis were thus dispersed over the territory of Iran to put their talent at the service of the people. Sabzal Samigi URL: It is impssible to verify whether these are the same tribes as those from which the present-day musicians of Balochistan are descended, which would make them descendants of the first Gypsies. In fact, there are many parallels between Balochi musicians and other groups who are also considered to comprise a part of the initial 'Proto-Gipsy' nucleus, for example, certain Sindi groups and the castes of Langaw musician of Rajistan. Festive Songs Feasts on the occasion of a marriage or circumcision are important social and cultural events in which music plays a large role. Wedding songs in genres called Salonk and Nazenk for the groom and bride, respectively, belong to the most purely Balochi layer of the repertory, which also includes lullabies and funerary chants.

Each stage of the feast corresponds to particular songs. Marriages provide the occasion for singing both Sawts ----popular songs on themes of love and separation, and ghazals, which typically use learned Persian poetry. Most of these traditional songs can be performed by the participants, but these days, hosts prefer to invite a variety of instrumentalists and female vocalists----all amplified----to give more cache to the event.

Balochi Folk Song by Sabz Ali Bugti URL: Even during the intimate ceremonies reserved for women, it is possible to engage a group of male musicians to animate the party. To describe all the stage of a complete wedding would take too long, but brief descriptions of a few of the central events will show how music in involved. Laila O Laila by Late. Faiz Muhammad Baloch Aye Naz Husn-e-Wala by Late. Faiz Muhammad Baloch A wedding takes place several days and is announced in the street by performers playing the Sorna, a loud oboe, and Dohl, a drum. In the house of the bride ( Banur) a curtain is drawn down the middle of a room, behind which the young woman remains for several days, tended to and fed by 8 or 10 women who are close to her. Each evening the women feast, sing, and dance among themselves while playing the Dohl and Kuzag, an earthen water jug.